32AA by Michelle Cunnah

By Michelle Cunnah

Meet writer Michelle Cunnah and the loveable characters she creates during this younger, humorous story of husband-hunting, job-hunting, and –toughest of all – apartment-hunting in New York.

A get together, a promoting, and at the least, an offer. On her 30th birthday, Emma Taylor isn’t requesting a lot. as an alternative, she will get omitted in each manner: via her corporation, by way of her boyfriend, or even by way of her party-loving acquaintances, whose suggestion of the precise present is a bottle of breast-enhancing pills.

Now, kicked out of her boyfriend’s house and glued operating for the weenie who beat her out for the task, Emma is depressing, homeless, and dozing behind her vehicle. yet who knew what a great spot the streets will be for assembly wonderful males? Emma would possibly not have a lot filling up her bikini best, yet she does have the selection to come again on her toes, so she strikes in with attractive Jack (strictly in a landlord/tenant capacity), stands out her chin (and her chest) and will get difficult at paintings. perhaps flat women may have a few enjoyable …

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To me he seems equal to gods, the man who sits facing you and listens as you speak Softly close by, and laughs enticingly. That is what startles the heart in my breast, for, as I look at you an instant, then I can no longer speak. My tongue is broken, and a thin fire quickly suffuses my skin. My eyes see nothing; my ears Are buzzing. Sweat covers me, and trembling possesses me entire. I am paler than grass, and I seem to myself Just short of death. ] even a poor man. . This sophisticated poem points up the paradox of eloquence and emotion, love and writing about love.

Maas, Martha, and Jane McIntosh Snyder. Stringed Instruments of Ancient Greece. New Haven: Yale University Press, 1989 (has material on women as musicians). Pomeroy, Sarah. Goddesses, Whores, Wives, and Slaves: Women in Classical Antiquity. New York: Schocken Books, 1976. ———. ” American Journal of Ancient History 2 (1977): 51–68 (on musical activities of women in the later Hellenistic period). Skinner, Marilyn. ” Arethusa 22 (1989): 5–18. Snyder, Jane McIntosh. The Woman and the Lyre: Women Writers in Classical Greece and Rome.

Detels, Claire. “Autonomist/Formalist Aesthetics, Music Theory, and the Feminist Paradigm of Soft Boundaries,” Journal of Aesthetics and Art Criticism 52 (1994): 113–26. Ecker, Gisela, ed. Feminist Aesthetics. Trans. Harriet Anderson. Boston: Beacon Press, 1986. Green, Lucy. Music, Gender, Education. New York: Cambridge University Press, 1997. Hein, Hilde, and Carolyn Korsmeyer, eds. ” Special issue of Hypatia: A Journal of Feminist Philosophy 5, no. 2 (1990). Also published separately as Aesthetics in Feminist Perspective.

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